The Music of St. Mary of Pine Bluff

The Music of St. Mary of Pine Bluff

Sicut Cervus (Giovanni Pierluigi da Palestrina)

“Music, that is the science or the sense of proper modulation, is likewise given by God’s generosity to mortals having rational souls in order to lead them to higher things.” -Saint Augustine

 

If Ye Love Me (Thomas Tallis)

“To this lofty dignity of the Church’s prayer, there should correspond earnest devotion in our souls. For when in prayer the voice repeats those hymns written under the inspiration of the Holy Ghost and extols God’s infinite perfections, it is necessary that the interior sentiment of our souls should accompany the voice so as to make those sentiments our own in which we are elevated to heaven, adoring and giving due praise and thanks to the Blessed Trinity.” -Venerable Pope Pius XII

 

Ubi Caritas et Amor (Maurice Duruflé)

“The singing of the Church comes ultimately out of love. It is the utter depth of love that produces the singing. “Cantare amantis est”, says St. Augustine, singing is a lover’s thing. In so saying, we come again to the trinitarian interpretation of Church music. The Holy Spirit is love, and it is he who produces the singing. He is the Spirit of Christ, the Spirit who draws us into love for Christ and so leads to the Father.” -Pope Benedict XVI

 

O Magnum Mysterium (Morten Lauridsen)

Little by little, beginning in the 9th century, polyphonic singing was added to this choral chant. The study and use of polyphonic singing were developed more and more during the centuries that followed and were raised to a marvelous perfection under the guidance of magnificent composers during the 15th and 16th centuries.” -Venerable Pope Pius XII

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